Références en français
- Gergaud Sophie et Herrmann Thora (dir.), Cinémas autochtones : Des représentations en mouvements. Collection Questions autochtones, Paris, GITPA/L’Harmattan, 2019.
- Gergaud Sophie, « Les Amérindiens dans l’espace médiatique en Amérique du Nord : des peuples invisibles ou trop visibles ? ». In Michaud Marie-Christine et. al, Des Faces cachées dans les Amériques, Étival-lès-Le Mans : Jamet Éditeur, 2019, pp. 323-336.
- Gergaud Sophie, Cinéastes
autochtones. La souveraineté culturelle en action, Laval : Éditions WARM, 2019. - Guillaud Lauric et Gilles Menegaldo (dir.), Le western et les mythes de l’Ouest. Littérature et arts de l’image. Rennes, Presse universitaires de Rennes, 2015.
- Laprévotte Gilles et Roche Thierry, Indian’s Song. Des Indiens d’Hollywood au cinéma des Indiens, Crisnée, Yellow Now, 2010.
- Mateus Mora Angélica María, Cinéma et audiovisuel latino-américains. L’Indien : images et conflits. Paris, L’Harmattan, 2012.
- ONF, Le cinéma autochtone à l’ONF, un aperçu. Office national du film du Canada, 2017.
Références dans d’autres langues
- Aleiss Angela, Making the White Man’s Indian, Native Americans and Hollywood movies. Westport, Praeger Publishers, 2005.
- Araújo, Juliano José de, Cineastas indígenas, documentário e autoetnografia : um estudo do projeto Vídeo nas Aldeias, Bragança Paulista SP : Margem da Palavra, 2017
- Barclay Barry, « Celebrating Fourth Cinema ». Illusions Magazine, 2003, pp. 1-7.
- David Jennifer, Original People. Original Television. The Launching of the Aboriginal Peoples Television Network, Ottawa, Debwe Communications Inc., 2012.
- Dowell Kristin, « Indigenous Media Gone Global : Strengthening Indigenous identity On- and Off-screen at the First Nations / First Features Film Showcase ». American Anthropologist, vol. 108 n°2, Juin 2006, pp. 376-384.
- Echo Hawk Crystal, Reclaiming Native Truth. A Project to Dispel America’s Myths and Misconceptions. Echo Hawk Consulting et First Nations Development Institute, 2018.
- Evans Michael Robert, The Fast Runner : Filming the Legend of Atanarjuat, Lincoln, University of Nebraska Press, 2010.
- Hearne Joanne, Smoke Signals, Native cinema rising. Lincoln, University of Nebraska Press, 2012.
- Ginsburg Faye, « Embedded aesthetics : Creating a Discursive Space for Indigenous Media ». Cultural Anthropology vol. 9 n°3, 1994, pp. 365–382.
- Ginsburg Faye, « Indigenous Media : Faustian Contract or Global Village ? ». Cultural Anthropology, vol. 6, N°1, 1991, pp. 92-112.
- Gumucio Dagron Alfonso, El cine comunitario en América Latina y el Caribe. La Havane, Fundacion del Nuevo Cine Latinoamericano, 2014.
- Hearne Joanne, Smoke Signals, Native cinema rising. Lincoln, University of Nebraska Press,
2012. - Hughey Matthew, The White Savior Film : Content, Critics, and Consumption. Philadelphie,
Temple University Press, 2014. - Kilpatrick Jaquelyn, Celluloid Indians, Native American and Film. Lincoln, University of Nebraska Press, 1999.
- Lewis Randolph, Alanis Obomsawin : The Vision of a Native Filmmaker. Lincoln, University of
Nebraska Press, 2006. - Marubbio Elise et Buffalohead Erick (dir.), Native Americans on Film. Conversations, Teaching, and Theory. Lexington, University Press of Kentuky, 2013.
- Nickerson Marcia, On-Screen Protocols & Pathways : A Media Production Guide to Working with First Nations, Métis and Inuit Communities, Cultures, Concepts and Stories. Toronto, ImagineNative Institute, 2019 – Web [Consulté le 28/07/2019].
- Prats, Armando J., Invisible Natives : Myth and Identity in the American Western, Cornell University Press, 2002.
- Rony Fatima Tobing, « Robert Flaherty’s Nanook of the North : the Politics of Taxidermy and Romantic Ethnography ». In Bernardi Daniel (dir.), The Birth of Whiteness : Race and the Emergence of U.S. Cinema. New Brunswick, Rutgers University Press, 1996, pp. 300-328.
- Singer Beverly, Wiping the war paint off the lens. Native American Film and Video. Minneapolis, University of Minnesota Press, 2001.
- Stefanoff Lisa, « Caama and the Art of Mediating Desert Cultural Survivance ». In Duthie Amanda (dir.), KIN, An extraordinary Australian filmmaking family. Mile End, Wakefield Press, 2018, pp. 109-130.
- Wilson Pamela et Stewart Michelle (dir.), Global Indigenous Media. Cultures, Poetics, and Politics. Durham, Duke University Press, 2008.
- Wood Houston, Native Features, Indigenous Films from Around the World, Continuum, 2008.
- Worth Sol et Adair John, Through Navajo Eyes : An Exploration in Film Communication and Anthropology. Bloomington, Indiana University Press, 1975.